![]() ![]() It always does so with a consistent narration. Thank you.ĪL: I noticed The Five Wounds moves from one POV character to another. Kirstin Valdez Quade: That is so kind of you to say. I enjoyed not only the story, but getting a sense of how it was working on the page and through the arc of the entirety of the novel. It is an immersive story, and for those of us who are looking, we can find craft elements being used to these degrees that at least I had not seen before. CRAFTĪlbert Liau: The Five Wounds is a fantastic reading experience. This interview has been edited for clarity and length. She spoke with short fiction section co-editor Albert Liau and answered questions about craft from Liau and associate editor Suzanne Grove. We found h er via Zoom in the eaves of the James Merrill house, where she is a Writer-in-Residence. She spoke with us about her new novel, The Five Wounds, and story collection, Night at the Fiestas. CRAFT is excited to welcome Kirstin Valdez Quade as the guest judge of our 2021 Short Fiction Prize. ![]()
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